cult film freak: susana kamini

Written by James M. Tate / 9/11/2019 / No comments / cristina ferrare , david young , exploitation , helen rojo , horror , john carradine , lesbian , mexico , seventies , susana kamini , vampire

CRISTINA FERRARE VAMPING OUT IN 'MARY, MARY, BLOODY MARY'

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<tr><td class="tr-caption" style="text-align: center;"><u>Cristina Ferrare in MARY, MARY, BLOODY MARY Year: 1975</u></td></tr>
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More exploitation than horror, MARY, MARY, BLOODY MARY is a visual treat, not only because the leading lady, Cristina Ferrare, is gorgeous but the Mexico location offer a myriad of settings to keep the viewer interested while the characters always have something to do, and somewhere to go: with little chance of getting away...<br>
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From beaches to highways, villas and art galleries, it's a low-budget flick that, despite the wooden, noticeably looped dialogue, will keep you in intrigued, entranced. Mary is a surreal artist about to enjoy an art show displaying her strange work. When not painting, she hangs around with a handsome, feathered-haired drifter, who becomes the only person she seems to love i.e. doesn’t sink her teeth into…<br>

cristina ferrare, david young, exploitation, helen rojo, horror, john carradine, lesbian, mexico, seventies, susana kamini, vampire

CRISTINA FERRARE VAMPING OUT IN 'MARY, MARY, BLOODY MARY'

Cristina Ferrare in MARY, MARY, BLOODY MARY Year: 1975 More exploitation than horror, MARY, MARY, BLOODY MARY is a visual treat, not onl...

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