Written by James M. Tate / 1/14/2024 / No comments / action , barbara bach , crime , enzo g. castellari , franco nero , italian , neo noir , seventies , vigilante
ENZO G. CASTELLARI DIRECTS FRANCO NERO IN 'STREET LAW'
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Franco Nero in STREET LAW Year: 1974 Grade: C— |
In 1974, Italy, the same year the vigilante theme had ignited Hollywood from the result of DEATH WISH, Enzo G. Castellari's STREET LAW... unlike Michael Winner's Charles Bronson vehicle where a perfect wife is brutally murdered... has an extremely weak reason/motivation for the main character — successful engineer Franco Nero — to seek revenge (which is actually the opposite of random-strike vigilantism)...
After having been kidnapped during a bank robbery and taken for what's the most exciting sequence during a rip-roaring, action-packed car-chase, something your average, typical guy probably would have talked about for years (and while he was beaten, he made incredibly stupid decisions at the bank to warrant such pummeling)...
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Giancarlo Prete drives Franco Nero in STREET LAW |
Afterward, Franco's so miffed, he investigates the not-as-yet-captured crooks, going from various lowlife hangouts in a rushed and contrived manner where, ironically, random hoodlum types seem like bad actors rehearsing for a bad crime flick: until he gets help from a more human, affable crook, both making for an uninteresting pair having so much commonness in common and yet STREET LAW does harbor a wonderfully groovy track Drivin' All Around, providing this popular Italian crime flick a stronger theme musically than thematically...
Overall, the usually intense Franco (who's unrealistic, awkward and uninteresting as a nebbish everyman, even when paired with future FORCE 10 FROM NAVARONE actress/model Barbara Bach) seems merely along for the uneven and uneventful ride that even his creative-camera-wielding directorial collaborator Castellari can't save.
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Franco Nero in STREET LAW |
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Barbara Bach in STREET LAW |
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Franco Nero and Barbara Bach in STREET LAW |
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From STREET LAW |
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