PENNY EDWARDS IN 'THE DALTON GIRLS' WITH MERRY ANDERS

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-7HW17SRlweIlS_NKUNDmXWhp7nYBCvQycTSNOVo-MAjBJsLq05A6AFa8S8EfbxUpNmvD3C4_ND5cR38GiGvTamtfpnJJ6MesruHYv9j6H0tV4vckAyLdSyCdUr3jtrM1ecNKrSB0Q058/s1600/0.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="948" data-original-width="1364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-7HW17SRlweIlS_NKUNDmXWhp7nYBCvQycTSNOVo-MAjBJsLq05A6AFa8S8EfbxUpNmvD3C4_ND5cR38GiGvTamtfpnJJ6MesruHYv9j6H0tV4vckAyLdSyCdUr3jtrM1ecNKrSB0Q058/s1600/0.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Penny Edwards (mother of actress Deborah Winters) and John Russell in THE DALTON GIRLS Year: 1957 Rating: ****</u></td></tr> </tbody></table> Bel Air Productions' THE DALTON GIRLS consists of four resilient and mostly bad-ass sage-riding sisters of The Dalton Gang, all freshly dead... the men that is... and their gorgeous siblings are as follows...<br> <br> Merry Anders as the mother figure, who's darn good with a gun; Lisa Davis is the wildcard killer, and even better with a gun; Sue George is the passive baby-faced baby of the family; and Penny Edwards is — in a Western with four pretty ladies — the pretty one, as in, the most girly and classy and who the handsome leading man is after...<br>

action, bel air productions, fifties, john russell, lisa davis, merry anders, penny edwards, sue george, western

PENNY EDWARDS IN 'THE DALTON GIRLS' WITH MERRY ANDERS

Penny Edwards (mother of actress Deborah Winters) and John Russell in THE DALTON GIRLS Year: 1957 Rating: **** Bel Air Productions' ...

JOHN HUSTON DIRECTS SUE LYON IN 'THE NIGHT OF THE IGUANA'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoOpKaO4LReSnsqVXzmbPkAC6HO3f0wjTk4fk3b3GExTDEWVzlnVn5u_gxoT42jF25iVHC1NmvbRxehEZuaZ0tTv-3AlKXK_LGzaOGG6JkoQNPgHPeYHnEG1_EVkoB-qblvlG0v1EEjr-Y/s1600/zz.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1012" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoOpKaO4LReSnsqVXzmbPkAC6HO3f0wjTk4fk3b3GExTDEWVzlnVn5u_gxoT42jF25iVHC1NmvbRxehEZuaZ0tTv-3AlKXK_LGzaOGG6JkoQNPgHPeYHnEG1_EVkoB-qblvlG0v1EEjr-Y/s1600/zz.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Skip Ward aka James Ward with Sue Lyon in THE NIGHT OF THE IGUANA Year: 1964 Rating: ***</u></td></tr> </tbody></table> "I'm sick of dark old churches... I like sunshine," says Sue Lyon to Richard Burton, as a young LOLITA style temptress to a fallen preacher (who keeps falling, and seems content falling), who takes the girl and a group of old ladies — headed by a bitter and vengeful Grayson Hall — on a bus trip to Mexico where, instead of the promised air-conditioned city hotel, they're deliberately derailed to a rural mountainside lodge owned by an independent and experienced Ava Gardner...<br> <span class="caption"><br></span> <span class="caption">This where most of the story takes place after starting out an eclectic road movie </span><span class="caption">as Lyon's flirty tease Charlotte Goodall can't stop getting </span><span class="caption"><span class="caption">Burton's  Rev. Dr. T. Lawrence Shannon</span> in trouble...</span><br>

ava gardner, based-on-play, deborah kerr, drama, exploitation, grayson hall, john huston, mexico, richard burton, skip ward, sue lyon, tennessee williams

JOHN HUSTON DIRECTS SUE LYON IN 'THE NIGHT OF THE IGUANA'

Skip Ward aka James Ward with Sue Lyon in THE NIGHT OF THE IGUANA Year: 1964 Rating: *** "I'm sick of dark old churches... I li...

NICOLAS CAGE & MATTHEW MODINE IN ALAN PARKER'S 'BIRDY'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpcQDEXU6P5BSackhD_h0rYAuitsBysEKC7H5Ca-0T8RFjc3xVMxFybfjkjupkEjsULRqFw9IBnMW_tfU47fG-RjzMiD6xSMcBUk6eOaREbaUO2p9mmlf_4LJUOetyMJmiGYzt4ZsTiNAy/s1600/Screen%25252BShot%25252B2020-05-21%25252Bat%25252B8.18.01%25252BPM%25252B2.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="920" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpcQDEXU6P5BSackhD_h0rYAuitsBysEKC7H5Ca-0T8RFjc3xVMxFybfjkjupkEjsULRqFw9IBnMW_tfU47fG-RjzMiD6xSMcBUk6eOaREbaUO2p9mmlf_4LJUOetyMJmiGYzt4ZsTiNAy/s1600/Screen%25252BShot%25252B2020-05-21%25252Bat%25252B8.18.01%25252BPM%25252B2.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Nicolas Cage looking a hybrid of middle eighties and early sixties in Alan Parker's BIRDY Year: 1984 Rating: ****</u></td></tr> </tbody></table> Alan Parker was an inspired choice to direct a feature combining anti-war sentiment and tortured, surreal insanity having pulled off PINK FLOYD: THE WALL a few years before BIRDY...<br> <br> A neglected gem that, despite the title, centers equally on two "Philly Kids" Nicolas Cage as alpha male Al and passive Matthew Modine nicknamed BIRDY, living more in his mind (and with his bedroom birds) than on the outside, where Al revels in girls and muscular bravado...<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzEN-F1NvB2ZVDNM7gXxAR6lVCbAFsMyccrKgyfMMitrGkIA-5v8LvUAOSqmcq1UppguP7SyfzLCU8x7Dz1XvpLXLGXMQy0CMbxx1xiuSc6ZD5p6TJpo6bzvjnsgrIInLYhVoRFOBPwZ3B/s1600/Screen%252BShot%252B2020-05-21%252Bat%252B8.16.22%252BPM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="914" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzEN-F1NvB2ZVDNM7gXxAR6lVCbAFsMyccrKgyfMMitrGkIA-5v8LvUAOSqmcq1UppguP7SyfzLCU8x7Dz1XvpLXLGXMQy0CMbxx1xiuSc6ZD5p6TJpo6bzvjnsgrIInLYhVoRFOBPwZ3B/s1600/Screen%252BShot%252B2020-05-21%252Bat%252B8.16.22%252BPM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Nicolas Cage and title character Mathew Modine in the present story of BIRDY</u></td></tr> </tbody></table> Yet the frame story has a meek, post-war/face-bandaged Cage at a military psych-ward trying desperately to bring his friend back to reality: mostly by reminding him (and us) of their fairly recent high school era past... <br> <br> Modine, with lanky bird-like features to begin with, spends the present-time silently perched in locked quarters while Cage provides the hot and cold acting, which includes plenty of diatribes to sink his teeth into...<br>

alan parker, arthouse, buddy, coming-of-age, eighties, elizabeth whitcraft, matthew modine, nicolas cage, vietnam

NICOLAS CAGE & MATTHEW MODINE IN ALAN PARKER'S 'BIRDY'

Nicolas Cage looking a hybrid of middle eighties and early sixties in Alan Parker's BIRDY Year: 1984 Rating: **** Alan Parker was an...

DEFINITIVE STREAMLINE REVIEW FOR 'KING OF THE MOUNTAIN'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjwqHBv9QyiTZNmuqsDq0pGjrXRW4J21k3m2w6M6HMwwxkevPeC6BrCrde1jGO2wA-GyciXHv1l59rRHajt9q_TBOfnZ9d8LFEe90OMuqMa9x7_7nUUZDMKYkrO7WgPjF4rhPX_2Ydf6ts/s1600/hellow.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="916" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjwqHBv9QyiTZNmuqsDq0pGjrXRW4J21k3m2w6M6HMwwxkevPeC6BrCrde1jGO2wA-GyciXHv1l59rRHajt9q_TBOfnZ9d8LFEe90OMuqMa9x7_7nUUZDMKYkrO7WgPjF4rhPX_2Ydf6ts/s1600/hellow.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Harry Hamlin feeling out an uneasy road in KING OF THE MOUNTAIN Year: 1981 Rates: ***1/2</u></td></tr> </tbody></table> As the obscure early-eighties action/melodrama KING OF THE MOUNTAIN revs from the second to third act, the central three hot rodders are at a record company party when would-be producer Richard Cox as Roger, wants to go back out on Mulholland Drive and tear up the famous nighttime road...<br> <br> Joseph Bottoms as Buddy, a gifted yet cursed, naive, idealistic and sometimes corny and downright annoying musician, whose songs are supposedly destined for greatness, turns to Roger and says, with a wry, knowing grin, “We’re at a fancy party and you want to go driving?” Well hell — that’s what the movie promises so why not? <br>

dan haggerty, deborah van valkenburgh, dennis hopper, drama, eighties, harry hamlin, joseph bottoms, lillian müller, race car

DEFINITIVE STREAMLINE REVIEW FOR 'KING OF THE MOUNTAIN'

Harry Hamlin feeling out an uneasy road in KING OF THE MOUNTAIN Year: 1981 Rates: ***1/2 As the obscure early-eighties action/melodrama ...

MICHAEL CRICHTON DIRECTS 'COMA' WITH MICHAEL DOUGLAS

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr46btmK-kFpP0nGic8fWt2k3j0Uel4dpSDFSQ0RVHkA25PFffETZJP6kanuqEskJm8xh7c2k9nTpqC-OAIK2qzK26T0Ewi_k0OLcvvWmPIx1PbOIBKFTEZHxU-laoJJ0KxkeYK44jJ4I9/s1600/21.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="912" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr46btmK-kFpP0nGic8fWt2k3j0Uel4dpSDFSQ0RVHkA25PFffETZJP6kanuqEskJm8xh7c2k9nTpqC-OAIK2qzK26T0Ewi_k0OLcvvWmPIx1PbOIBKFTEZHxU-laoJJ0KxkeYK44jJ4I9/s1600/21.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold investigates in Michael Crichton's COMA Year: 1978 Rating: ***1/2</u></td></tr> </tbody></table><p>The best damsels-in-distress are those tough cookies in complete denial of being damsels, and you can take your distress and shove it because they don't need help from anyone, especially not males, and especially in the 1970's... <br /> <br /> Enter Geneviève Bujold as Dr. Susan Wheeler who, with a chip on her shoulder about being the only female doctor in an old school men's club type of hospital, has a kneejerk reaction for anything easygoing boyfriend Dr. Mark Bellows, played by Michael Douglas, has to say; particularly “Can you get me a beer?” <br /> </p><div class="separator" style="clear: both; text-align: left;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV42o6KW_AazFb24B8DuT9MtfLR7rg_WS4o7Zfi_NNcxw9PP0cY5YdjR-Lo6AbFJjXWzOqpZ1s583GPqouYSTABK7sCRYy0aOltI-CHoUYqafpGN_DxtjVPs5AjNi7nByuv-AVyFzYnXKI/s1600/Screen+Shot+2020-05-12+at+6.44.45+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="968" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV42o6KW_AazFb24B8DuT9MtfLR7rg_WS4o7Zfi_NNcxw9PP0cY5YdjR-Lo6AbFJjXWzOqpZ1s583GPqouYSTABK7sCRYy0aOltI-CHoUYqafpGN_DxtjVPs5AjNi7nByuv-AVyFzYnXKI/s1600/Screen+Shot+2020-05-12+at+6.44.45+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Lois Chiles as a gorgeous Patient X in COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div><p>Her feelings of insecurity are shielded with a narrowed countenance — the pushy and contrived feminist viewpoint making it difficult to root for her character... It's almost as if she's bitching out the <i>entire</i> audience...<br /> <br /> But she's <i>really</i> onto something as patients at the hospital, including her best friend (a perfect looking Lois Chiles followed by a perfect looking Tom Selleck), are slipping into comas following routine procedures...<br /> </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE6tdrIdMzq2oKF6rDwaqLNvbdFwiD1W1a7ptSgrKtuX0XVFQpIYa3iarj1bg75WyRW3Kv7pbMRrgu-Qb7rGKVf_e9bAKY4tRn8LqckB9D_bu9vPbyfJCUbpR7TAIfpeefaquNPCq6xcHt/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.48.38%252BPM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE6tdrIdMzq2oKF6rDwaqLNvbdFwiD1W1a7ptSgrKtuX0XVFQpIYa3iarj1bg75WyRW3Kv7pbMRrgu-Qb7rGKVf_e9bAKY4tRn8LqckB9D_bu9vPbyfJCUbpR7TAIfpeefaquNPCq6xcHt/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.48.38%252BPM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Jefferson Institute is the Death Star of comatose patients from COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div><p>Here’s where the intentionally overbearing anti-heroine becomes more relatable as the investigation kicks into gear. And novelist turned director Michael Crichton has a mechanical approach to directing films that, whether written by himself or in this case, source author Robin Cook, are intentionally farfetched...<br /> <br /> But when Susan gets in over her head, searching through files in the hospital and eventually finding the place where the patients are being sent, the mystery/suspense peaks too easily, and conveniently...<br /> </p><div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFxKCWZnb36nF_CCI1JBLgUCSQaGTh3ZD5swey_PofTIyUVV3B5A_p89RDJhO255cnN0pFacEFedGfz0v77dNalISmExF1zklwHcA1wgtstcYdQLS4gBvoun-dKNoTDXjZ-a6WxKMnhr1w/s1600/Screen+Shot+2020-05-12+at+8.40.40+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="903" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFxKCWZnb36nF_CCI1JBLgUCSQaGTh3ZD5swey_PofTIyUVV3B5A_p89RDJhO255cnN0pFacEFedGfz0v77dNalISmExF1zklwHcA1wgtstcYdQLS4gBvoun-dKNoTDXjZ-a6WxKMnhr1w/s1600/Screen+Shot+2020-05-12+at+8.40.40+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold and a dead ringer for Data from Star Trek years earlier in a deep COMA</u></td></tr> </tbody></table><p>In one scene she overhears two maintenance men discussing everything needing to know i.e. what the comatose bodies... suspended in a spooky warehouse within a formidable white building while overseen by monotone and robotic, steely-eyed Elizabeth Ashley... are being used for...<br /> <br /> With thirty-minutes left it’s all about Susan escaping for her life in scenes liken to a television potboiler, and especially when she's under the knife of villainous surgeon Richard Widmark that the fingernails are worth biting: finally providing the backseat Douglas a chance to possibly save his once stubborn, reluctant girlfriend who finally needs saving.<br /> </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVz9XcoxMwN5hskm7MDb-jB-UhaEu5OsPAU973jT_c5OcecswaeiolwgXYBMtTX1GZBcN05OnZQpTBbH9qnaMYYJHAOiAbLwJFj03F_JlqwaI6WRGcwSuJkmo7VrYFBsRwMIKr93R_qgfa/s1600/Screen%252525252BShot%252525252B2020-05-12%252525252Bat%252525252B6.52.26%252525252BPM%252525252B2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="889" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVz9XcoxMwN5hskm7MDb-jB-UhaEu5OsPAU973jT_c5OcecswaeiolwgXYBMtTX1GZBcN05OnZQpTBbH9qnaMYYJHAOiAbLwJFj03F_JlqwaI6WRGcwSuJkmo7VrYFBsRwMIKr93R_qgfa/s1600/Screen%252525252BShot%252525252B2020-05-12%252525252Bat%252525252B6.52.26%252525252BPM%252525252B2.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold investigates in Michael Crichton's COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwMw2n1dL2-S6MQkf3OhFotUt7D-4aHEVa7GQDScWzesqDYeGy_S7qpbUF3qauYgpyYXG32TZp9540s6XjPqoDD801_H_py3LTca_hW3R_VMvyPM3Mov99n4Y6QrNTBR8zMLXD-3XM1diY/s1600/Screen+Shot+2020-05-12+at+8.13.15+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="871" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwMw2n1dL2-S6MQkf3OhFotUt7D-4aHEVa7GQDScWzesqDYeGy_S7qpbUF3qauYgpyYXG32TZp9540s6XjPqoDD801_H_py3LTca_hW3R_VMvyPM3Mov99n4Y6QrNTBR8zMLXD-3XM1diY/s1600/Screen+Shot+2020-05-12+at+8.13.15+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Tom Selleck would star in Michael Crichton's Runaway here a cameo in COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZsOp-sHUu0_0SmFbydYjWHIx3lluG_zVGDyaG9DcrAVcp1hjvDmKZfCDxqGWJZy9J__kRj-gSx43ybWUn19qQR_4-fjEMZbdhStDH6mNy23XnyhjOXSQz8UKtM-QlOGJ_3vwG1DzJq4kV/s1600/Screen+Shot+2020-05-12+at+6.45.56+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="956" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZsOp-sHUu0_0SmFbydYjWHIx3lluG_zVGDyaG9DcrAVcp1hjvDmKZfCDxqGWJZy9J__kRj-gSx43ybWUn19qQR_4-fjEMZbdhStDH6mNy23XnyhjOXSQz8UKtM-QlOGJ_3vwG1DzJq4kV/s1600/Screen+Shot+2020-05-12+at+6.45.56+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Tom Selleck as Sean Murphy the Comatose Adam to Lois Chile's Eve in COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Kz2RTYgerqJO8776QO4XftxEInfZFUuBtl5nnYYbwmgLz0QVkEJ9xEqE3EiFyXJS56c3Fp2VnjvQ0ZqV76j6gTcTdOFFVFeRGReyRPUe3OaARFly2zVGgc4hN91RvogmKgWeMsAXnmMO/s1600/Screen+Shot+2020-05-12+at+6.46.14+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="975" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Kz2RTYgerqJO8776QO4XftxEInfZFUuBtl5nnYYbwmgLz0QVkEJ9xEqE3EiFyXJS56c3Fp2VnjvQ0ZqV76j6gTcTdOFFVFeRGReyRPUe3OaARFly2zVGgc4hN91RvogmKgWeMsAXnmMO/s1600/Screen+Shot+2020-05-12+at+6.46.14+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold starring in COMA </u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWpb6cNGhKx1OoGpYgNe12cFSbKnhZ50oPXsveyt5X-mJsld36nn2Y3XaEovOrGnybv2saMWjx5718pKW2XuDkWqaQn8yBqEY84XJvwDtIToDxqy0K_sBMLp_VaNQqWy6G8opLbrbMgpNt/s1600/Screen+Shot+2020-05-12+at+6.47.50+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="915" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWpb6cNGhKx1OoGpYgNe12cFSbKnhZ50oPXsveyt5X-mJsld36nn2Y3XaEovOrGnybv2saMWjx5718pKW2XuDkWqaQn8yBqEY84XJvwDtIToDxqy0K_sBMLp_VaNQqWy6G8opLbrbMgpNt/s1600/Screen+Shot+2020-05-12+at+6.47.50+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold starring in COMA </u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg33fTv7ezXqHKzSycsFbIOcf02zuhpIylTsZlBac967ni9PQW1cUD8OHooWbhwW4jpaFyPz0KZCva7r56jnbLD6M7peaeL8GEpZUt0olgdZZpq3R9blLARg3xxAGQEIi2LZZvj5AfOUjiM/s1600/Screen+Shot+2020-05-12+at+6.47.26+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="932" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg33fTv7ezXqHKzSycsFbIOcf02zuhpIylTsZlBac967ni9PQW1cUD8OHooWbhwW4jpaFyPz0KZCva7r56jnbLD6M7peaeL8GEpZUt0olgdZZpq3R9blLARg3xxAGQEIi2LZZvj5AfOUjiM/s1600/Screen+Shot+2020-05-12+at+6.47.26+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold COMA with Michael Douglas</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpFEF4YM_I7B-_meRqRFJuuZj3DhuWk0Sru-1PM5Mi2d7-ktZ75VWkl2Vi1BpROdEfHlEdCpYHtCM4oToSWblZiu3QoW8Wgwmv1toskDi9Q2zsMD0eAHRLvdkeDeXm9taQ2lQMZncrG7Jg/s1600/Screen+Shot+2020-05-12+at+6.48.28+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="940" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpFEF4YM_I7B-_meRqRFJuuZj3DhuWk0Sru-1PM5Mi2d7-ktZ75VWkl2Vi1BpROdEfHlEdCpYHtCM4oToSWblZiu3QoW8Wgwmv1toskDi9Q2zsMD0eAHRLvdkeDeXm9taQ2lQMZncrG7Jg/s1600/Screen+Shot+2020-05-12+at+6.48.28+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>A cold Elizabeth Ashley with a Yoda mouth in COMA </u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjobujUm_X7zd6WzlChk-YZ4set3RSQWlj9VGLZ94vwL7R83DYALBJa73p0Z_qR0DCbH8oof5HzGgonuWSCds8Rva386v54m3HqZQEfLBoLXdSeH65Sdy_ahZXHuG-IDYpYEXWShzeANUCC/s1600/Screen+Shot+2020-05-12+at+6.49.04+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="926" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjobujUm_X7zd6WzlChk-YZ4set3RSQWlj9VGLZ94vwL7R83DYALBJa73p0Z_qR0DCbH8oof5HzGgonuWSCds8Rva386v54m3HqZQEfLBoLXdSeH65Sdy_ahZXHuG-IDYpYEXWShzeANUCC/s1600/Screen+Shot+2020-05-12+at+6.49.04+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Lance LeGalt is the bad guy's henchman in COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX45SakZp_qxMmc5y0FhT5Fnz4ORcsnEHItmavfm2HEBFp0nsLsGNSLqYKmb1I5NVEc6n_g7cIOySj5lgkS4teanh7HoIv-MPjhDdIWkZxAbuoAOKVecN6GIOAao4TCNKeoXfakUYZmlI7/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.44.33%252BPM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="955" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX45SakZp_qxMmc5y0FhT5Fnz4ORcsnEHItmavfm2HEBFp0nsLsGNSLqYKmb1I5NVEc6n_g7cIOySj5lgkS4teanh7HoIv-MPjhDdIWkZxAbuoAOKVecN6GIOAao4TCNKeoXfakUYZmlI7/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.44.33%252BPM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Michael Douglas first billed yet backseat w/ Genevieve Bujold in COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEw4fOjQM26iQUY3X8O0vhlcsxWnZ2aKpqxmCr_d5tJpDL0b5FVSbjn_54ryNnfyQ4faOKfSoKHhWFL12snLQGAIujvikGDNMNkzL3UEl1pth4woohaSB2tOcGqs_uJOnj9WGFf-0ZLaTu/s1600/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEw4fOjQM26iQUY3X8O0vhlcsxWnZ2aKpqxmCr_d5tJpDL0b5FVSbjn_54ryNnfyQ4faOKfSoKHhWFL12snLQGAIujvikGDNMNkzL3UEl1pth4woohaSB2tOcGqs_uJOnj9WGFf-0ZLaTu/s1600/1.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Ed Harris gives some deathly ideas in Michael Crichton's thriller COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA6YloDne-qFZ2VGB5DXq34UqenWcX9MU1wfMNret4cJIK54e7Xn0YYkIuaT2ayBaxAq_IY11a7fqVhGWPBQhMma9xYvQC-puzjKUQGs-4Fjj8g0PFsYP7VKr85Q2yL7kWlIOhkBCZBxtA/s1600/2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA6YloDne-qFZ2VGB5DXq34UqenWcX9MU1wfMNret4cJIK54e7Xn0YYkIuaT2ayBaxAq_IY11a7fqVhGWPBQhMma9xYvQC-puzjKUQGs-4Fjj8g0PFsYP7VKr85Q2yL7kWlIOhkBCZBxtA/s1600/2.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold sneaks around through Michael Crichton's thriller COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ce7LH8jbtoKDfjlqLg0yU6FWNXi96ZNlK-VX_uSW7Q2_YSBJ-8nmZz1NjK0C5kJgrsWiARzIt64q-2sHEsvPOl7Q_t2KrAXga7Rs5hbktnzysfpWuXV088g8L9vevKhqCZLY-MpIRYfF/s1600/3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="932" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ce7LH8jbtoKDfjlqLg0yU6FWNXi96ZNlK-VX_uSW7Q2_YSBJ-8nmZz1NjK0C5kJgrsWiARzIt64q-2sHEsvPOl7Q_t2KrAXga7Rs5hbktnzysfpWuXV088g8L9vevKhqCZLY-MpIRYfF/s1600/3.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>"1, 2, Mars, Venus.. We don't need no Stinkin' Penis!" Feminist Aerobics in COMA w/ Lois Chiles</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99WkWXT5DR2MgZh4EHEK9w3Iz-F6yJ9YS2qK5ovJJBX6f3T2oJzKsLqDMwU-BADIMPGAWngc2O_p8ZVCJ4CJ2M297BSk6D5D6QxOOKEV1g3HDtubaPE3qhzGgv87Nbw2tvhGURR1yIMsW/s1600/4.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="955" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99WkWXT5DR2MgZh4EHEK9w3Iz-F6yJ9YS2qK5ovJJBX6f3T2oJzKsLqDMwU-BADIMPGAWngc2O_p8ZVCJ4CJ2M297BSk6D5D6QxOOKEV1g3HDtubaPE3qhzGgv87Nbw2tvhGURR1yIMsW/s1600/4.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Lois Chiles with Geneviève Bujold in COMA with who looks like Leigh-Taylor Young</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivOabKHuuRm-yXnouroOkU54pSXkA-PzTGGF8V1lcIMQ5oESsroBFzrT1m3E8shpH0VtEm-eINIbTw-mlJ7e8f9GQPPBBKDykE60tO-tv4OGMqJ5abrspu6FOtDVO0HUG_S2BdH3dltRcc/s1600/5.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="915" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivOabKHuuRm-yXnouroOkU54pSXkA-PzTGGF8V1lcIMQ5oESsroBFzrT1m3E8shpH0VtEm-eINIbTw-mlJ7e8f9GQPPBBKDykE60tO-tv4OGMqJ5abrspu6FOtDVO0HUG_S2BdH3dltRcc/s1600/5.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>The perfect Lois Chiles is put into a not-so-perfect coma in Michael Crichton's COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGB2pxmtkXmZuxcb8QCazW2BWLe2K6KkBxgMosToTSda0uEU1mRpwQSM_zXRxCGHnBxJRgPR-JdBVl9rLTyWp_vgPxnfvTUka6HKdNrxJ_ZG4njQJLUIYk7gweZOLFxF4X6k_RhrQmqBi7/s1600/12.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="922" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGB2pxmtkXmZuxcb8QCazW2BWLe2K6KkBxgMosToTSda0uEU1mRpwQSM_zXRxCGHnBxJRgPR-JdBVl9rLTyWp_vgPxnfvTUka6HKdNrxJ_ZG4njQJLUIYk7gweZOLFxF4X6k_RhrQmqBi7/s1600/12.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Michael Crichton's COMA opening credit sequence during the introductions</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcGVpEnWj_P8-21rwSM9JbgIoc_owNWbVXiVTQmi3Y5SY-6KOlvmnTOK3yIL5XMw5YXT-3hyJEeFvA005rW8Ci6e-qihO5kJwbMPVHP_BZrcEBlXiV9IvlGiL0c6Hu8Brmm7TWH-aEcMFl/s1600/Screen+Shot+2020-05-12+at+10.47.54+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="954" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcGVpEnWj_P8-21rwSM9JbgIoc_owNWbVXiVTQmi3Y5SY-6KOlvmnTOK3yIL5XMw5YXT-3hyJEeFvA005rW8Ci6e-qihO5kJwbMPVHP_BZrcEBlXiV9IvlGiL0c6Hu8Brmm7TWH-aEcMFl/s1600/Screen+Shot+2020-05-12+at+10.47.54+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>David "Little Earl" Hollander and Geneviève Bujold in COMA</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNI6Xi5Y0dwoLvcU0Nb2VDzwfbtVm2vLfmctQxS3YNy3ZRrRLMr705FJkPRE2bi0giOCsxkerWpWbOwX2pMsFB67adqVrsk97cJfef9TIOZXLsQKXP2f_VPfT3bucgElKRHBH6holxRnAQ/s1600/Screen+Shot+2020-05-12+at+10.53.21+PM+2+2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="930" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNI6Xi5Y0dwoLvcU0Nb2VDzwfbtVm2vLfmctQxS3YNy3ZRrRLMr705FJkPRE2bi0giOCsxkerWpWbOwX2pMsFB67adqVrsk97cJfef9TIOZXLsQKXP2f_VPfT3bucgElKRHBH6holxRnAQ/s1600/Screen+Shot+2020-05-12+at+10.53.21+PM+2+2.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold and Richard Widmark in Michael Crichton's COMA</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJrYxmHqwxXZZEJU4vu_JUQBrBr1WxHur-cvf7w3d-QyX7Sl-g8BUZgxXVJ12bntBiR1BCWlpYo_78ONfjUl7G91FsZGYDPpaCbgVRkd5ZtsVu-kGkieK5DX8G0c-GuINyKx-vEGusZXD/s1600/Screen+Shot+2020-05-12+at+10.48.24+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="908" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJrYxmHqwxXZZEJU4vu_JUQBrBr1WxHur-cvf7w3d-QyX7Sl-g8BUZgxXVJ12bntBiR1BCWlpYo_78ONfjUl7G91FsZGYDPpaCbgVRkd5ZtsVu-kGkieK5DX8G0c-GuINyKx-vEGusZXD/s1600/Screen+Shot+2020-05-12+at+10.48.24+PM.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold facing Richard Widmark in Michael Crichton's COMA</u></td></tr> </tbody></table>

elizabeth ashley, exploitation, geneviève bujold, horror, lois chiles, michael crichton, michael douglas, mystery, richard widmark, science-fiction, seventies, thriller, tom selleck

MICHAEL CRICHTON DIRECTS 'COMA' WITH MICHAEL DOUGLAS

Geneviève Bujold investigates in Michael Crichton's COMA Year: 1978 Rating: ***1/2 The best damsels-in-distress are those tough cooki...

NATIONAL LAMPOON'S MOVIE MADNESS AKA GOES TO THE MOVIES

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0Tx3V4pYEGGVGAlCLMPLcAwIOrA1VCPZ8x9M7453AyxzmoR0N4Lxp7dUuFmJ2C2JBa0NfEuRevzgqtlFlvgVm6tHmy1UJB0AussUsfzxcp-J0OQ5OTAJeBQ_4nIbk1aTfqBDwo0puuDKQ/s1600/Screen+Shot+2020-05-14+at+6.34.44+AM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1044" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0Tx3V4pYEGGVGAlCLMPLcAwIOrA1VCPZ8x9M7453AyxzmoR0N4Lxp7dUuFmJ2C2JBa0NfEuRevzgqtlFlvgVm6tHmy1UJB0AussUsfzxcp-J0OQ5OTAJeBQ_4nIbk1aTfqBDwo0puuDKQ/s1600/Screen+Shot+2020-05-14+at+6.34.44+AM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Ann Dusenberry in National Lampoon's Movie Madness aka Goes to the Movies Year: 1982 Rating: **1/2</u></td></tr> </tbody></table> As their second feature, trailing NATIONAL LAMPOON'S ANIMAL HOUSE by five years, you’d expect the Lampoons to try for… something big and cinematic... but instead, they made a motion picture that's more like a... well, a magazine (or skit comedy, that Lampoon was also known for)... <br> <br> Only MOVIE MADNESS lacks madness and couldn’t be more sterile and uninteresting and yet, for fans of really awful, bizarre cinema... or you can call it awfully bizarre... aka GOES TO THE MOVIES amazingly intriguing and curiously insane and something you might have to watch more than once... if you dare!<br>

ann dusenberry, anthology, candy clark, christopher lloyd, comedy, diane lane, eighties, henry jaglom, peter riegert, quirky, richard widmark, robbie benson, robert culp, teresa ganzel

NATIONAL LAMPOON'S MOVIE MADNESS AKA GOES TO THE MOVIES

Ann Dusenberry in National Lampoon's Movie Madness aka Goes to the Movies Year: 1982 Rating: **1/2 As their second feature, trailing...

MICHAEL DOUGLAS SERVES 'HAIL, HERO!' WITH DEBORAH WINTERS

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgjqZGxFx794upXBuZjQ7-kv-_w4tAeefRF6V72obE61CrWZYB8S5nj-ZWDH4FaR8Jy9V4gW2Rfps0A_Jzqazb6yg6u1pqrHWPYuAXptO0vVkRek4dqYL4Ivmx1cYM46eF0TbQLT_Xw_v/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B11.38.59%252BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="897" data-original-width="1218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgjqZGxFx794upXBuZjQ7-kv-_w4tAeefRF6V72obE61CrWZYB8S5nj-ZWDH4FaR8Jy9V4gW2Rfps0A_Jzqazb6yg6u1pqrHWPYuAXptO0vVkRek4dqYL4Ivmx1cYM46eF0TbQLT_Xw_v/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B11.38.59%252BPM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Poster showing Michael Douglas and Deborah Winters from HAIL, HERO! Year: 1969 Rating: ***</u></td></tr> </tbody></table> In the beginning of Michael Douglas's career he plays Carl Dixon, a free-spirit during the Vietnam WAR era who returns from New York college life to a rural farm-family that's harbored proud fighting men since the Civil War.<br> <br> The first act of HAIL, HERO! has Carl entering into his small Southern hometown with the kind of jovial personality that embodies aimless sarcastic abandon (that he'd revisit in another counter-culture flick ADAM AT 6 A.M.)... <br>

arthur kennedy, counter-culture, deborah winters, michael douglas, peter strauss, rural, sixties

MICHAEL DOUGLAS SERVES 'HAIL, HERO!' WITH DEBORAH WINTERS

Poster showing Michael Douglas and Deborah Winters from HAIL, HERO! Year: 1969 Rating: *** In the beginning of Michael Douglas's car...

ADAM SANDLER TAKES A SERIOUS GAMBLE WITH 'UNCUT GEMS'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0Fgtw2JxXKpQwmDBlfwfotFc58iOYAi5ZeXGDDulgy5XruMKJR2OMNCxIPGPQsZjFhRaIqqWF-RwjKhcJlyYhusNCaITX2a4Ma59CIKNasbgCYc9Tf1FmSe3iyyEYeIREZlZLraBMAsUM/s1600/Screen+Shot+2020-05-26+at+9.48.29+PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="914" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0Fgtw2JxXKpQwmDBlfwfotFc58iOYAi5ZeXGDDulgy5XruMKJR2OMNCxIPGPQsZjFhRaIqqWF-RwjKhcJlyYhusNCaITX2a4Ma59CIKNasbgCYc9Tf1FmSe3iyyEYeIREZlZLraBMAsUM/s1600/Screen+Shot+2020-05-26+at+9.48.29+PM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>A very loud Adam Sandler is louder than ever in UNCUT GEMS Year: 2019</u></td></tr> </tbody></table> A movie that literally begins deep inside Adam Sandler's ass (during a colonoscopy), UNCUT GEMS has provided Sandler — as a jeweler in debt from reckless gambling — accolades for a different kind of performance...<br> <br> And while not another goofy Happy Madison production, his "Screaming Guy" routine is nothing new — sans the soft-spoken baby talk before the inevitable Nirvana-like shift from clean to distorted loudness occurs...<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiziF-P-bvV2uj0c3_OSsBQWCqFCDWZwMdf36CJqdf5iEiVwubIok32SLW420exspB64Xn92CgaOymOs7pg-YYbbWJfEPpwVCpS2C2SYnBRqhbSq60Mn1zDMpZdNOJoKyfO7whXgW2QbFZG/s1600/Screen+Shot+2020-05-26+at+9.33.56+PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="658" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiziF-P-bvV2uj0c3_OSsBQWCqFCDWZwMdf36CJqdf5iEiVwubIok32SLW420exspB64Xn92CgaOymOs7pg-YYbbWJfEPpwVCpS2C2SYnBRqhbSq60Mn1zDMpZdNOJoKyfO7whXgW2QbFZG/s1600/Screen+Shot+2020-05-26+at+9.33.56+PM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Adam Sandler pointing the way in UNCUT GEMS Rating: **</u></td></tr> </tbody></table> For the most part, GEMS is a gritty New York City arthouse flick that never intentionally settles into one place comfortably; and the frantic, neurotic, fast-talking Sandler has his moments...<br> <br> The problem is that the directors — throwing in too many characters and an annoying, intrusive score — keep trying to out-frantic their leading man, making it tough if impossible to know what's going on, or why. Unlike the far superior, equally artistic PUNCH-DRUNK LOVE, the man simply gets lost in the shuffle.<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0qP-5WjclHsdTiHXBluTuaVJ9wNERKxtCs9wJOMNEUqC98KQRRtEKNsmpN3cJMinFdqdaGxL6w_Z1wk6r5kPuSEwWug_IoY9dy65LKSLxUl0-Kry6SmrthznXKOY_3Vsz14K_z7uZCP9c/s1600/Screen+Shot+2020-05-26+at+10.00.37+PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="740" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0qP-5WjclHsdTiHXBluTuaVJ9wNERKxtCs9wJOMNEUqC98KQRRtEKNsmpN3cJMinFdqdaGxL6w_Z1wk6r5kPuSEwWug_IoY9dy65LKSLxUl0-Kry6SmrthznXKOY_3Vsz14K_z7uZCP9c/s1600/Screen+Shot+2020-05-26+at+10.00.37+PM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Adam Sandler running in circles for UNCUT GEMS</u></td></tr> </tbody></table>

2019, adam sandler, drama, gambling, new, suspense

ADAM SANDLER TAKES A SERIOUS GAMBLE WITH 'UNCUT GEMS'

A very loud Adam Sandler is louder than ever in UNCUT GEMS Year: 2019 A movie that literally begins deep inside Adam Sandler's ass (...

PETER BOGDANOVICH DIRECTS BEN GAZARRA AS 'SAINT JACK'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXeCYsHagvno8-zR1vL_lCB8S3139pbAQxYPrglH-44MnBjfn6svPeBZA3kkTi1xlaCBM0GhBrNpUF8zuawxgZ_Ij88Hn9YaLaODUG_LVOy6ROWR6rMnMrfhWzNQrTWIBXXYNq1xK0qxwi/s1600/f949264bb3de06fde3d5371d847c9715.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="679" data-original-width="964" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXeCYsHagvno8-zR1vL_lCB8S3139pbAQxYPrglH-44MnBjfn6svPeBZA3kkTi1xlaCBM0GhBrNpUF8zuawxgZ_Ij88Hn9YaLaODUG_LVOy6ROWR6rMnMrfhWzNQrTWIBXXYNq1xK0qxwi/s1600/f949264bb3de06fde3d5371d847c9715.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Hugh Hefner & Roger Corman present Peter Bogdanovich directing Ben Gazzara in SAINT JACK Year: 1979 Rating: ****</u></td></tr> </tbody></table> SAINT JACK is the ironic nickname for Jack Flowers, a resilient American pimp in the late 1960's Singapore trying to run a "house," which isn't so easy with torturous thugs who, at one point when he finally owns his own brothel, doesn't allow it to prosper for very long... <br> <br> All this before we learn about Jack's occupation by basically following him around, from location to location, within the gloriously sinful, uniquely dilapidated, exotically historic Singapore.<br>

ben gazzara, denholm elliott, drama, george lazenby, mafia, neo noir, peter bogdanovich, seventies, suspense

PETER BOGDANOVICH DIRECTS BEN GAZARRA AS 'SAINT JACK'

Hugh Hefner & Roger Corman present Peter Bogdanovich directing Ben Gazzara in SAINT JACK Year: 1979 Rating: **** SAINT JACK is the i...

MARK HAMILL RIDES THE DISCO CHROME OF 'CORVETTE SUMMER'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibPRBohFs2FXf6cWpuW4GgiJXq_2jCWvxc5j_czVhKb7aDYfpY6o9G2Ktuq3rb-FPZfBPrtOCMhgbV4hXcxNfmlccPpTHg7dH3sF7LJ79eIe-GMp-HJeb0Kdc4C1P4MiRhbLXmUwAmvdKo/s1600/Screen+Shot+2020-05-01+at+5.27.23+AM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="893" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibPRBohFs2FXf6cWpuW4GgiJXq_2jCWvxc5j_czVhKb7aDYfpY6o9G2Ktuq3rb-FPZfBPrtOCMhgbV4hXcxNfmlccPpTHg7dH3sF7LJ79eIe-GMp-HJeb0Kdc4C1P4MiRhbLXmUwAmvdKo/s1600/Screen+Shot+2020-05-01+at+5.27.23+AM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Mark Hamill searches close and narrow through Las Vegas during his CORVETTE SUMMER YEAR: 1978</u></td></tr> </tbody></table> Kenny Dantley, a naïve yet determined California high school senior about to graduate, builds a Corvette and, as the story goes, after his dream machine's stolen he journeys to Las Vegas with a girl he ends up rescuing: And then, having gained wisdom, has a do-or-die confrontation with a villain adorned in formidable black attire...<br> <br> Which sounds awfully familiar; but CORVETTE SUMMER came out a year<i> after </i>STAR WARS. And with a natural albeit languorous performance by Hamill (his face noticeably reconstructed from the infamous motorcycle accident), a knockout Stingray and an involving odyssey turned racy romance with Annie Potts as motormouth wannabe hooker Vanessa — fitfully living in a plush 1970's <i>van</i> — it's an eclectic adventure that throws everything into the pot...<br>

action, adventure, annie potts, brion james, car, cult, eugene roche, exploitation, kim milford, mark hamill, seventies, star wars, t.k. carter

MARK HAMILL RIDES THE DISCO CHROME OF 'CORVETTE SUMMER'

Mark Hamill searches close and narrow through Las Vegas during his CORVETTE SUMMER YEAR: 1978 Kenny Dantley, a naïve yet determined Cali...