|
Title: LAURA Year: 1944 Rates: ***** |
Dana Andrews as Det. Lt. Mark McPherson
has fallen in love with a ghost, kind of, and that's
not to be spoiled for anyone who hasn't seen LAURA with its particular
dreamlike camera panning from a sleeping McPherson, and we get the
murderous yarn, spun all over again in a different fashion and with a
twist that could be something else entirely as our hero deals with two
creeps connected with the ingenue: especially a cerebral "sugar
daddy" in a sophisticated Clifton Webb...
Word is the producer frowned on this important
casting because of... well... what's pretty apparent about the futzy
fella, and he can't shake that aspect from his character of a character,
Waldo Lydecker. But Webb is perfect as LAURA seems to be the only girl
who can rid the sophisticated and manipulative Lydecker from his daily
uptight uptown lunch, all by himself with a contented life all
mapped-out...
|
Dana Andrews eyes a not-so-scary Vincent Price in LAURA |
She has that kind of magic on everyone...
Even a non-scary turn for who'd become the Master of Horror ranging for
many decades, Vincent Price as a passive/aggressive rich kid turned
pointless loser, Shelby Carpenter...
And he's loathed by the pompous
Waldo, who actually has a platonic yet obsessive relationship with Laura, and his attraction is also the funniest... and his one-liners and hatred for
everyone expect the title character is a real hoot, especially how he
pokes fun at Price's flaky Playboy and Andrews' Alpha Male cop.
The
thing is, if either of these guys were more manly, and fit Tierney like
the intentionally loose glove sliding through the first half's
flashbacks, then we wouldn't need that brash, tough guy Detective beyond
the investigation. Ironically, he's the only one who wasn't part of her
real life, and perhaps should have been.
|
Dana Andrews and Vincent Price in LAURA |
A secret only partially
revealed in a movie that actually improves after perpetual expository
from Webb's snooty yet hilarious jerk...
All the while, LAURA morphs from a casual
talky melodrama into the pure Noir Classic it's known and beloved for...
Yet what really makes the film shine is the creative way Otto Preminger
makes the entire movie feel almost like a dream, when it's anything but.
And deep down, past even the shadowy Noir genre, this is a
character-study like no other: how a woman, living or dead, can effect
three men, and how they in turn effect her... means everything.
|
Vincent Price and Gene Tierney in Otto Preminger's LAURA |
|
Clifton Webb and Gene Tierney in Otto Preminger's LAURA |
|
Clifton Webb and Gene Tierney in Otto Preminger's LAURA |
|
Dana Andrews wanders the apartment in Otto Preminger's LAURA |
|
Dana Andrews and Gene Tierney in Otto Preminger's LAURA |
|
Dana Andrews and Gene Tierney in Otto Preminger's LAURA |
|
Dana Andrews enters Clifton Webb's web in LAURA |
|
An iconic waking shot of LAURA with Gene Tierney and Dana Andrews |
|
Dana Andrews and three time co-star Dorothy Adams (as Bessie) in LAURA |
|
Dana Andrews and three time co-star Dorothy Adams (as Bessie) in LAURA |
|
Dana Andrews & Gene Tierney in THE PLAYER with FRED WARD |
|
Dana Andrews and Gene Tierney in LAURA
|
|
Dana Andrews and Clifton Webb in LAURA |
|
Dana Andrews and Clifton Webb in LAURA |
|
Dana Andrews in LAURA |
|
Dana Andrews in LAURA |
|
Dana Andrews in LAURA with Clifton Webb
|
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.