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Dana Andrews with William Talman YEAR: 1955 |
Dana Andrews was both right and
wrong for SMOKE SIGNAL, an Western Adventure where the good
guys must survive against advancing and surrounding Indians while
battling a formidable water-splashing menace called a Wild River...
Originally,
Charlton Heston was intended to play the part of Brett Halliday, a
Calvary deserter who'd previously sided with some good Indians, which
these particular antagonists are not...
Actually, they're the same tribe whose minds have been changed, and it's blood they're after in a
group of Calvary men led by an extremely determined and stubborn William
Talman, who does have some reason for bitterness and resentment:
because of Halliday's help with the Redskins, his brother had been
killed...
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Dana Andrews and William Talman... SMOKEScore: ***1/2 |
Visually, Andrews fits okay, standing firm and
wearing the Indian garb with grungy class, but his character is simply
too "right" and idealistic to be interesting...
Heston
would have obviously "chewed the scenery," and for this one-dimensional
role, it needed some major chewing beyond Dana's subdued performance
that isn't too shabby, but isn't very memorable either. Leaving all the
work for Talman, who... just as he'd stolen a Film Noir titled THE
RACKET from Robert Mitchum... is the true main character
with his hands full: needing to survive Indians and the rapids while
keeping an eye on Dana's Halliday for a trial at the end of the journey —
if they survive...
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"For drinking on set, like Piper Laurie claims, Marshall Dillon'll get ya!" |
Piper Laurie plays the ingenue, warming up to Dana's
handsome, misunderstood idealist like most cinematic ingenues melt for
the goaded puppy — but there's a snag: Her initial
love interest, played by a surprisingly peppery Rex Reason, winds up madder at Andrews than even Talman is...
And while it
doesn't make Dana more energetic or desperate in the role, the
man who's been deemed "The Greatest Minimalist Actor" delivers sturdy
dialogue with finesse, and does alright in the nail-biting river
sequences occurring between pockets of downtime during
"shoreline" overnights, wherein, at one point, GUMSMOKE Doc Adams (the same year the famous series began), Milburn Stone, eventually takes
a bigger risk than anyone: Which is one of the problems: the characters never
seem in the amount of trouble that would push this vehicle into a
bonafide Action Western instead of a Western with some action on the
side...
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Dana Andrews in SMOKE SIGNAL |
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Dana Andrews, Piper Laurie, Rex Reason, Milburn Stone facing William Talman in Smoke Signal |
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Rex Reason, Dana Andrews and William Talman |
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Dana Andrews in SMOKE SIGNAL directed by Jerry Hopper |
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Dana Andrews scopes the canyon for vicious Indians in SMOKE SIGNAL |
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Dana Andrews Smoke Signal
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