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Title: CANYON PASSAGE Year: 1946 Rates: ****1/2
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Over a decade before
CURSE OF THE DEMON and
THE FEARMAKERS, Jacques Tourneur directed Dana Andrews in a well-dressed, comfortably-paced North Western, CANYON PASSAGE, taking place mostly within a small, makeshift town built from — and tucked within the shade of — the surrounding forest, a knee-jerk away from an uneasy peace with brooding Indians...
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Dana on book
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Yet the suspense relies more on how two particular characters develop
than the horse-clopping action taking most of the third act: In almost every Western with Dana Andrews there's an edgy gallows kangaroo court involved, and here it's the least important aspect although would-be victim Brian Donlevy, as extremely unlucky, altogether-cursed gambler, George, sharpens Dana's workaholic, mule running/cargo moving entrepreneur, Logan, since he has to keep covering his old pal from gambling debts and other vices: including a possible murder. This is really a tale on how far a friendship can bend...
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Riding into the Portland Oregon rain |
And there's only a hint of romance between Andrews... engaged to a Stepford Prairie Girl played by British import Patricia Roc... and future MY FOOLISH HEART co-star Susan Hayward as a beautiful tomboy — both share a cool friendship almost too perfect to hinder with complications: Actually, she already belongs to the flaky loser/dreamer, Donlevy... kind of... though it's obvious where her heart
really is...
Meanwhile, interesting side-characters include another frequent Dana co-star, musician Hoagy Carmichael (
NIGHT SONG,
BEST YEARS OF OUR LIVES), as a mandolin-playing expository moral conscious, and Lloyd Bridges (later in Tourneur's Western
WICHITA) spitefully ruling the kangaroo court: But the true antagonist's played with gusto by Ward Bond (Dana's
SWAMP WATER foe), who causes all sorts of bruised-up and/or deadly havoc, especially in a sublimely choreographed saloon fight scene, where director Tourneur's otherwise rich, artistic lens flows with testosterone-fueled bravado.
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