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Harold Ramis as Zitsky |
"That’s my favorite kind of acting," PJ Soles said in a Cult Film Freak interview, "when something’s real and the responses are real and, you know, Bill led the way and I followed."
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Bill Murray as Winger |
After
MEATBALLS, director Ivan Reitman and Bill Murray filmed
STRIPES, starring Murray and Harold Ramis, who co-wrote the summer camp
comedy and between both films directed Bill in the now legendary golfing
venture CADDYSHACK…
In STRIPES, when Bill Murray’s
John Winger, attempting to prove to his best friend Russell Ziskey,
played by Harold Ramis, that he isn’t too old and/or out of shape to
join the military, after completing only several trudging sit-ups, Ramis
quips: "I think you're ready for the Special Olympics!” Well
if not that, the Army, where Winger decides to go after having enough
of a nowhere existence, and being dumped by his hot blonde girlfriend,
who feels John’s antics just aren’t “cute anymore.” One of the funniest
scenes (embedded below) involves the two friends in the recruitment
office, awkwardly answering a particular question long before the
Don’t Ask, Don’t Tell era… "We're not homosexual... But we are willing to learn."
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Damn we love PJ |
Since
Bill Murray is usually the endearing, independent rogue, it’s often
missed that STRIPES really is a bonafide buddy comedy. Throughout the
boot camp classic, Ramis is right by Murray’s side – they even hook up
with two lady MPs together.
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PJ Soles recalls STRIPES with Bill Murray |
Winger’s girl, Stella, is played by ROCK N' ROLL HIGH
SCHOOL and HALLOWEEN starlet PJ SOLES, who recalls a sequence with
Murray, along with Sean Young and Harold Ramis, when they use the
general’s house for their own personal enjoyment…
Our
scene that ended up being in the kitchen was outside, on a hill,
looking at fireworks, and we were supposed to be going into the big kiss
but instead, it was three o’ clock in the morning…
We were in Westwood. It was getting late. They shot Harold and Sean’s
scene… their little love scene. And Ivan was, “Uh, I don’t know, we
have to show somehow that you guys like each other. We’re gonna have to
do something inside because we can’t go outside now, it’s too late. We
can’t have lights outside. It’s a neighborhood.”
We
were talking in the kitchen… And Bill opens the refrigerator and takes
out a carrot. And I just looked at him and said, “What are you gonna do
with that?” And Ivan just said, “Bring the camera in here. Let’s roll
it.” And we shot that in literally twenty minutes. With coverage and
everything. And I love that. It’s one of my favorite all-time scenes and
because of the fact it just happened so automatically.
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Conrad Dunn at Psycho |
And yet, STRIPES is not all fun and games. The opening twenty minutes,
showing Murray’s downfall as a taxi driver, his breakup and the
enevitable game-changing decision, has the somber cadence of a movie
that’s not relying on joke-a-minute laughs. Winger is a real guy with
real troubles, and has no idea what he’s getting into…
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HulkaMania! |
Some great performances came out of the dire
situation of two completely inept friends stuck in the hellish Boot
Camp, including one scene leading up to the romantic tryst PJ Soles
recollected...
When Winger attempts to go AWOL and
Ramis’s Russell chases him outside the barracks, the two have it out,
arguing intensely surrounded by ominous tanks...
Murray
and Ramis are quite funny together, but they can get down and dirty
too. There’s a real edge to their chemistry here... And in films before
and after, Ramis wrote many of the characters that made Bill Murray an
icon.
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This should be real! |
One of the great character-actors from the
1970’s, Warren Oates, playing the gruff Sgt. Hulka, inserts an edgy
brand of realism throughout the comedic proceedings. One scene that
brings out intense acting on Murray's part has Hulka and Winger meeting
alone in the barracks bathroom... Hulka takes off his helmet and
challenges Winger to punch him in the gut, off the record. In this scene
a subliminal connection occurs between the two loggerheads. Meanwhile,
Oates' edgy dynamic is countered by John Larroquette who, playing the
doofus Captain Stillman, is truly the unlikable antagonist and plays
more for the zaniness of the picture.
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RIP for Harold Ramis on 2/24/2014 |
John Candy’s Ox is the endearing scene-stealer, and
winds up, during the troop's night out, mud wrestling a bevy of babes...
But let’s shed some light on a few wonderful character actors,
including John Diehl as the dimwitted Cruiser, who has played everything
from a vice cop to a psychotic… Speaking of which, one of the most
memorable rants comes from Conrad Dunn's Francis
Psycho Sawyer:
“Now, any of you homos touch me, and I’ll kill ya,” he growls during the
troop's initial introduction. Leading to Hulka’s now iconic reply,
“Lighten up, Francis.”
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StripesScore: **** |
While a majority of the film occurs at Boot Camp, the film suffers
after
the troop passes a last-minute drill test, and, being sent overseas,
Winger and Ziskey, along with Stella and Sean Young's Louise, steal an
all-terrain recreational vehicle and wind up having to rescue their
fellow soldiers, who had gone after them (mind you, Hulka
never
gets captured). This segment is awkward, way too long and not very
funny, but STRIPES is the quintessential military comedy no matter… Even
the flaws pass muster… And “That’s the fact, Jack!”
Like
ANIMAL HOUSE, Elmer Bernstein's music plays for theme more than
laughs. The piano bar riff embodying Winger's lazy countenance aside, a triumphant score blares throughout, as if part of a genuine
gung ho war feature (yet also reminiscent of Berstein's patriotic marching romp from
Steven Spielberg's zany 1941)...
This allows the humor to subtly intrude
upon the gritty location, which is a character in itself: Harboring two
buddies (and real life creative partners continuing in GHOSTBUSTERS and
GROUNDHOG DAY) who will always be remembered within the high ranks of
cinematic glory.
What the??????? Ramis is dead? I didn't hear or know about it until I saw the obligatory year born/death under his picture in this post. All those early movies ARE HUGE big glowing EDIFICES of my youth. Damn.
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