Written by James M. Tate / 6/13/2011 / No comments / billy dee williams , biopic , lawrence hilton-jacobs , music , nineties
THE JACKSONS: AN AMERICAN DREAM
title: THE JACKSONS: AN AMERICAN DREAM
year: 1992
cast: Lawrence Hilton-Jacobs, Angela Basset, Billy Dee Williams
rating: ***
A decent biopic miniseries that could have been great had they put as much into the stardom of the Jacksons (and Michael in particular) then they did the struggle to get there.
Lawrence Hilton-Jacobs, best known as “Washington” from WELCOME BACK KOTTER, plays the dominating patriarch, Joe Jackson, and while his performance is decent enough, there's not enough reasons explained behind his sometimes overly temperamental methods of making (and/or forcing) his five kids to practice their singing and dancing in order to "make it big.” After all, since they did make it big, one can say... Joe did all right… right?
But since he made them call him "Joseph" instead of father, cheated on his wife, didn't want them to have girlfriends, and wasn't very friendly... perhaps fame wasn't worth the price of having a very controlling dad. And it's not exactly clear whether we, the audience, should love him, hate him, or just put up with him... like the family.
The first half of the miniseries, beginning with Joe and his wife (played by Angela Bassett) meeting, having many children, living in poverty, practicing to become a band and then being signed by Barry Gordy's Motown label, is quite entertaining. All the kids, especially the younger Michael (Jason Weaver), do a fantastic job acting, dancing and singing.
But then when they get famous, the show shifts to fast-forward, eventually cutting from 1976, after the Jacksons drop out of Motown records and go on their own, to 1983... a year after Michael's mega grossing album THRILLER had already been released (yet he's working on Thriller-tracks in the studio, which is confusing).
We never see the leap Michael goes through with Thriller – still the biggest album of all time… thus catapulting him into an icon… and what this instant titanic stardom did to his brothers (were they at all jealous?). The actor playing the adult Michael, unlike the younger actor, is merely doing an imitation.
And then, showing the Jacksons during their 1985 VICTORY TOUR, it all wraps up too quickly, leaving out a lot of important things having to do with success and it's ramifications.
The first half, as the family works to make it big, is good enough. At the very least, you get to hear some awesome Motown music and a slice of music history: even though it is, for the most part, Jackson propaganda.
But, being that Michael had enough bad things centered on them, why not? After all, despite the plethora of quirky (and bizarre and allegedly perverted) habits, he did have lots of talent.
year: 1992
cast: Lawrence Hilton-Jacobs, Angela Basset, Billy Dee Williams
rating: ***
A decent biopic miniseries that could have been great had they put as much into the stardom of the Jacksons (and Michael in particular) then they did the struggle to get there.
Lawrence Hilton-Jacobs, best known as “Washington” from WELCOME BACK KOTTER, plays the dominating patriarch, Joe Jackson, and while his performance is decent enough, there's not enough reasons explained behind his sometimes overly temperamental methods of making (and/or forcing) his five kids to practice their singing and dancing in order to "make it big.” After all, since they did make it big, one can say... Joe did all right… right?
But since he made them call him "Joseph" instead of father, cheated on his wife, didn't want them to have girlfriends, and wasn't very friendly... perhaps fame wasn't worth the price of having a very controlling dad. And it's not exactly clear whether we, the audience, should love him, hate him, or just put up with him... like the family.
The first half of the miniseries, beginning with Joe and his wife (played by Angela Bassett) meeting, having many children, living in poverty, practicing to become a band and then being signed by Barry Gordy's Motown label, is quite entertaining. All the kids, especially the younger Michael (Jason Weaver), do a fantastic job acting, dancing and singing.
But then when they get famous, the show shifts to fast-forward, eventually cutting from 1976, after the Jacksons drop out of Motown records and go on their own, to 1983... a year after Michael's mega grossing album THRILLER had already been released (yet he's working on Thriller-tracks in the studio, which is confusing).
We never see the leap Michael goes through with Thriller – still the biggest album of all time… thus catapulting him into an icon… and what this instant titanic stardom did to his brothers (were they at all jealous?). The actor playing the adult Michael, unlike the younger actor, is merely doing an imitation.
And then, showing the Jacksons during their 1985 VICTORY TOUR, it all wraps up too quickly, leaving out a lot of important things having to do with success and it's ramifications.
The first half, as the family works to make it big, is good enough. At the very least, you get to hear some awesome Motown music and a slice of music history: even though it is, for the most part, Jackson propaganda.
But, being that Michael had enough bad things centered on them, why not? After all, despite the plethora of quirky (and bizarre and allegedly perverted) habits, he did have lots of talent.
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