Written by James M. Tate / 5/30/2011 / No comments / jsu garcia , michael greene , neo noir , roger corman , sally kirkland
IN THE HEAT OF PASSION
title: IN THE HEAT OF PASSION
year: 1992
cast: Sally Kirkland, Jsu Garcia, Michael Greene, Jack Carter
rating: ***1/2
Sure there's a lot of steamy scenes, but this early-nineties Roger Corman production has a lot more going for it. Like Oscar-nominated actress (for 1987's ANNA) Sally Kirkland playing the bored trophy wife of rich man Michael Greene. While at a gas station, she meets hunky mechanic Jsu Garcia (then billed as Nick Corri). The two hit it off and really want to connect; especially Garcia, who makes every effort to do so. And by posing as a cable TV repairman, he talks his way into the bedroom where sexy Kirkland awaits. But what really excels this to greater heights is an action sequence involving Garcia, who's an actor on the side, being chased by mobsters and using this motivation in a scene from a movie (within the movie) with a similar plot line. But back to reality: what Garcia doesn't know is Kirkland, like any effective Film Noir moll, hides a deep dark secret fueling a hidden, and perhaps lethal, agenda. And it takes a grade-A actress and actor to provide enough intrigue and intensity to make a B-movie really work.
year: 1992
cast: Sally Kirkland, Jsu Garcia, Michael Greene, Jack Carter
rating: ***1/2
Sure there's a lot of steamy scenes, but this early-nineties Roger Corman production has a lot more going for it. Like Oscar-nominated actress (for 1987's ANNA) Sally Kirkland playing the bored trophy wife of rich man Michael Greene. While at a gas station, she meets hunky mechanic Jsu Garcia (then billed as Nick Corri). The two hit it off and really want to connect; especially Garcia, who makes every effort to do so. And by posing as a cable TV repairman, he talks his way into the bedroom where sexy Kirkland awaits. But what really excels this to greater heights is an action sequence involving Garcia, who's an actor on the side, being chased by mobsters and using this motivation in a scene from a movie (within the movie) with a similar plot line. But back to reality: what Garcia doesn't know is Kirkland, like any effective Film Noir moll, hides a deep dark secret fueling a hidden, and perhaps lethal, agenda. And it takes a grade-A actress and actor to provide enough intrigue and intensity to make a B-movie really work.
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